Showing posts with label Barri Bryan. Show all posts
Showing posts with label Barri Bryan. Show all posts

Friday, April 26, 2013

Welcome Guest Author - Poet Barri Bryan

Barri Bryan 



      STEPH:    How long have you been writing poetry?

BARRI: I began putting rhymes together when I was in the second grade. I have always loved poetry. When I was not yet three-years-old, my little brother had a baby powder can with nursery rhymes on it. My mother read them to me over and over again. I never tired of hearing them. 

STEPH: Are there any distinct themes to your poetry?

BARRI: Most of the time yes, occasionally, no. The theme of Chapter and Verse is love. Brush Country was inspired by the sights and scenes of the Brush Country of South Central Texas. Four Part Harmony has four separate and distinct themes within one book. What Will Suffice is an eclectic collection of many themes.


STEPH:     What forms/types of poetry do you prefer to write?

My style of writing does not lends itself to free verse. I write mostly in couplets or quatrains.  I write poetry as some individuals play the piano, by ear. The contents of the poem dictates the form, or forms. I often mix forms in a poem.  Occasionally I attempt an English sonnet. I love haikus, but I seldom attempt writing one. On the surface they seem simple, but they are extremely difficult. I have never attempted the villianelle form, but I love its strength and intensity. I think Sylvia Plath uses this form superbly. So does Elizabeth Bishop.

STEPH:    Who is your favorite poet?

BARRI: That's like asking who my favorite child is. I love Christina Rossetti's poetry. I delight in reading John Donne. I like Wallace Stevens and Algernon Charles Swinburne. I enjoy Emily Dickenson, Coventry Patmore, and Ted Hughes…

STEPH: What is your favorite poem?

BARRI: That, once more, is a difficult question to answer. If I absolutely had to select one poem, I would choose John Wilmot's Love and Life. He captures in three short verses the inability to change the past, the brevity of the moment, and the uncertainty of all tomorrows.


STEPH: Barri, can you share one of your poems with us?

BARRI: This poem is from my latest poetry book titled Four Part Harmony. It's from section two titled, Highway 35 South.



SCENERY AND SEASONS

Between McHarvey’s Auction Barn
And the cut-off to New Algiers
Lies a stretch of fallow farmland
That hasn’t been planted in years.

 In summer a blazing, blistering sun
Turns its crop of weeds to brown.
Once a strike of August lightening
Set a fire that burned to the edge of town.

In autumn it’s a tangled maze
Of undergrowth and stubble.
As now-and-then a brave green sprout
Rises from the decaying rubble.

In winter frost cuts to the ground
Every green and growing thing,
Leaving death and desolation,
Until one day in early spring

New life nudges through the sod
And changes the dismal scene
From gray and bleak and dreary
To a hopeful new-born green.

Oh the wonder, oh, the magic
As slowly from death and confusion
Wild flowers bloom and blossom
In grand and glorious profusion.

Oh beauty, for all your brevity
I see in your short-lived perfection
How brief is life, how sure is death
How splendid the hope of resurrection.


This poem is from Brush Country.



TEXAS TOWN

In the east a blazing ball of fire
Climbs ever steadily higher and higher.
Overhead, a jet plane soaring high
Cuts a vapor incision across the sky.

Up and down the awakening street
Dance limpid waves of shimmering heat.
Stench of garbage, smell of gas    
Mix with the scent of fresh-cut grass. 

The humid air is sweltering.
Catholic Church bells begin to ring
Above the din of an auto horn;
Small Town Texas Sunday morn.


Love and Life

By John Wilmot, Earl of Rochester

All my past life is mine no more,
The flying hours are gone,
Like transitory dreams giv'n o'er,
Whose images are kept in store
By memory alone.

The time that is to come is not;
How can it then be mine?
The present moment's all my lot;
And that, as fast as it is got,
Phyllis, is only thine.

Then talk not of inconstancy,
False hearts, and broken vows;
If I, by miracle, can be
This live-long minute true to thee,
'Tis all that Heav'n allows.

FIND BARRI AT: 

You can find a link to buy Four Part Harmony at my website



You can find a link to buy Brush Country at my website

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Friday, January 25, 2013

Book Review Friday - Forbidden by Barri Bryan




Book Review for: Forbidden
Written by: Barri Bryan
Desert Breeze Publishing
ISBN: 979-161252268-5
Avail as: Ebook only
4 Stars

Bryan pens a taunt, emotional romance with "Forbidden." Set in 1980, Zoë Adair goes to work for a Texas oilman, Holt Hamilton as a biographer for his late wife, actress, Sarah Clarke. Soon, Zoë is plunged into a world of lies of deception. Can she determine what is forbidden and what is not?

Clint McCann is Holt's son, due to inherit his old father's riches. Holt throws a wrench in the plans when he blackmails Zoë into marrying him. Holt wants to make amends to Zoë, but does he? Zoë's only friend in the house is Maggie, Clint's sister, but one ally is not enough in a ranch full of vipers. Complicating matters is the attraction Zoë and Clint share. Can true love grow in a house full of secrets?

Bryan's writing style is easy to read. She uses a good economy of words to paint Zoe's world in vivid brushstrokes. The characters are interesting. Clint hasn't had it easy growing up, making him appear gruff and a bit jaded. Can love soften his heart? Zoë's seen a lot of hardship and faces more. Her courage and bravery shine.

The best part of the story was the twists and turns the plot took. Forbidden will keep the reader on the edge of their seat, flipping the pages, anxious to know what will happen next.

There were an abundance of punctuation errors throughout the story, missing quotations, capitalization, and lack of periods, however, this did not take away from my enjoyment of the story.

The novel has several love scenes that capture the intensity felt between Clint and Zoë. Overall, "Forbidden" will take the reader on an emotional journey of the heart.

PUBLISHER'S BUY LINK: http://stores.desertbreezepublishing.com/-strse-399/Forbidden-Barri-Bryan/Detail.bok 

Saturday, August 21, 2010

Welcome Fellow CRR Author - Barri Bryan


I'd like to welcome fellow CRR Author, Barri Bryan. Barri's latest release with CRR Publishing is "A Second Splendor."

Welcome, Barri.



BARRI: Writing is not only concerned with how a writer writes, it also includes what a writer writes. The fiction writer's aim is to communicate, not only thoughts and ideas, but also feelings and emotions. The expressing of emotions is highly valued but not easily attained. It takes imagination and creative reasoning to communicate honest convictions and to express sincere emotions.

Learning to communicate expressively is not achieved the way you assimilate facts about geography or learn by rote the meanings of symbols. It is, rather a process of practice, discovery, and creation. Writing is an art, but like any art form it has an attending craft. There are skills and abilities that can be recognized and then practiced help you hone that craft.

Expressive writing is not accomplished speedily or through half-hearted efforts. To write expressively a writer must be focused. Focus induces a state of concentration that is intense and absolute.

An expressive writer is perceptive. Perception allows you to create something where nothing existed before, thus filling a void.

Empathy for the feelings and emotions of others is important in expressive writing.

An expressive writer's work has unity. When you write about imagined occurrences, the objective is not just to relate what happened. You want to recount your vision in a way that recreates the mood, and develops the dramatic significance of the event.

An expressive writer is aware. Awareness is an integral part of expressive writing. It begins by combining sensory messages with past knowledge and personal expectations to examine more closely the blur of daily experiences. Imaginative thinking allows you to move past literal applications and discover implied analogies and relationships. This kind of writing requires time and effort because those relationships aren’t always obvious.

An expressive writer is a passionate lover who persuades and convinces with words. Wooing with words involves being able to perceive, feel, and think subtly and precisely. It also demands a good vocabulary. The more acquainted you are with a variety of words and their meanings, the more able you are to express thoughts and sentiments.

An expressive writer relates to readers with honesty and candor by using mind, feelings, and imagination to create an organized and logical work. This is always a challenge and often a trial. It is never easy to disclose personal truths and to discover and express intimate realities. Honesty, as a writer perceives it, is a deceptive concept that continuously slips away on the wings of sentiment and sensation. To be honest with readers requires that a writer be honest with himself or herself. Honesty with one's self can be disturbing and painful; however, it is perhaps, the first prerequisite to writing expressively.




The Book Trailer:
http://www.youtube.com/watch?v=N-D1gFohswc

To Read an Excerpt:
http://www.classicromancerevival.com/a-second-splendor.html