Theresa, from my novel, The Wolf's Torment |
Characters are the heart and soul of your story, but what
makes them cross the line from two-dimensional to three-dimensional? What makes
them compelling?
Author David Corbett offers four elements that you can add
to your characterization and I think they're spot on.
To cross the line, keep your character's internal compass
consistent, yet ensure they can still surprise you.
First, a character has to have a driving need, desire, or
goal. What makes a character interesting is what that character wants, and the
stronger the desire, the more compelling the drama. Desire helps to create
conflict, and how your character manages conflict makes the story interesting.
Second, secrets make interesting characters. If there's a
trait or an incident the character wants hidden, but is revealed, it might make
that character lose standing with family and friends. What makes secrets
delicious is that they tell readers what characters have to lose and why.
Third, contradictions bring to light what readers can't
predict and thus shows surprise. For example: a character can be desperate, yet
proud, and decide to take a job that might not be up their alley, just so they
can earn a living.
Lastly, nothing draws a reader to a character than
vulnerability. When people need help or are wounded, we're drawn to help or
feel sympathetic to that character. Secrets play into this trait. If the
character is afraid of the secret getting out, it gives the character a
vulnerability they might not have had.
What can you do to help deepen characterization? Flesh your
characters out. Cast the character. Write character bios. What do they like?
Dislike? Write a flash fiction or short story to get to know them. Draw on real
life inspiration such as friends, family members, and co-workers. You can also
make a list of your emotional triggers. For example: What's your greatest fear?
When did you show true courage? By drawing on your triggers, you can bring
added dimension to your character's desires, wants, needs, secrets,
contradictions, and vulnerabilities.
I'd love to hear how you "craft" your characters. Share your tips, comments & feedback.
Reference: "Hooked on a Feeling," by David
Corbett, page 32-36, Writer's Digest, Jan 2011.
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